She picked up her wooden rib tool and approached the clay figure. Instead of adding or removing material, she pressed the flat edge into the surface and turned it — just slightly, just enough to suggest that spiral. The clay yielded. A shadow caught in the new groove she'd created, and suddenly the upper arm had a direction. It wasn't pointing at the hand. It was leading to the hand.
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The book is structured to guide the artist from the trunk to the fingertips: Shoulder & Torso She picked up her wooden rib tool and