The 1974 French film Going Places (originally titled Les Valseuses ) is a controversial cult classic directed by Bertrand Blier. It stars Gérard Depardieu, Patrick Dewaere, and Miou-Miou as a trio of aimless, amoral drifters traveling across the French countryside. Where to Watch Full Video with Subtitles You can stream or rent the full movie with English subtitles through the following platforms: Streaming Subscriptions : Kanopy: Available for free through many public library and university accounts. Criterion Channel: Often features the film as part of its curated French cinema collections. Rental/Purchase : Apple TV : Available for rent or digital purchase. Amazon Prime Video : Available for purchase or rent through the Cohen Media Channel. Google Play Movies : Digital rental and purchase options. Physical Media : You can find remastered DVD/Blu-ray versions with English subtitles at retailers like Amazon or DVD Lady . Film Overview Original Title : Les Valseuses (vulgar French slang for "the testicles"). Cast : Breakthrough roles for Gérard Depardieu (Jean-Claude), Patrick Dewaere (Pierrot), and Miou-Miou (Marie-Ange). It also features early appearances by Isabelle Huppert. Plot : The story follows two petty thugs who harass women and steal cars while avoiding the law, eventually joined by a jaded hairdresser seeking her own fulfillment. Legacy : The film remains one of the most controversial in French cinema due to its depiction of sexual acts, nudity, and its overall amoral tone, though it is highly regarded by critics for its raw energy and performances.
It looks like the phrase you provided — "fylm going places 1974 mtrjm kaml fydyw lfth" — appears to be a mix of English and possibly Romanized Arabic (or a keyboard typo). A reasonable interpretation is that you’re asking about the film Going Places (original French title: Les Valseuses ), released in 1974 , directed by Bertrand Blier, and perhaps looking for a full movie download or a complete video (since “fydyw lfth” sounds like “video left” / “full video” and “mtrjm kaml” could mean “fully translated” or “complete with translation”). Because I can’t provide or promote unauthorized downloads or piracy links, I’ll instead give you a blog post about the film itself — its legacy, controversy, and why it’s still discussed today.
Blog Post: Going Places (1974) – The Film That Still Shocks and Fascinates Title: Going Places (Les Valseuses) – 1974’s Most Unsettling Road Movie Few films arrive with a reputation that precedes them like Bertrand Blier’s Going Places (original title: Les Valseuses ). Released in 1974, this French classic (or provocation, depending on who you ask) follows two aimless, hedonistic drifters—Jean-Claude and Pierrot—as they wander through France, leaving chaos, seduction, and bruised morality in their wake. What’s It About? At its core, Going Places is a nihilistic road comedy-drama. The two protagonists, played with reckless charm by Gérard Depardieu and Patrick Dewaere, steal cars, seduce (or assault) women, and mock every social convention. They pick up a timid former prostitute named Marie-Ange (Miou-Miou), and the trio’s journey becomes a bizarre quest for freedom—however destructive. The film’s title in French, Les Valseuses , is slang for testicles, which gives you a hint about its raw, unapologetically masculine energy. Why It Shocked 1974 Audiences Even in an era of post-’68 French cinematic rebellion, Going Places pushed boundaries:
Sexual explicitness – Nudity and sexual situations were far beyond what mainstream films dared. Moral ambiguity – The protagonists aren’t antiheroes you root for; they’re often predatory, yet Blier frames their acts with dark humor. Jeanne Moreau’s iconic cameo – As a lonely middle-aged woman, she delivers a monologue about her first sexual experience that is simultaneously heartbreaking and uncomfortable. fylm going places 1974 mtrjm kaml fydyw lfth
Critical Reception Then and Now In 1974, some critics called it a masterpiece of anarchic energy. Others condemned it as misogynistic pornography. Decades later, the debate continues: Is Going Places a sharp critique of toxic masculinity, or an indulgent celebration of it? Blier himself said the film was about “the death of feelings in a consumer society.” But modern viewers often struggle with scenes that feel less like satire and more like exploitation. Where to Watch It Legally Because the original query hinted at “full video” or “complete movie download,” I’ll emphasize: always watch through legal channels . Going Places is available on platforms like:
The Criterion Channel (often with English subtitles) Amazon Prime Video (rental or purchase) Arrow Films (special edition Blu-ray with restored audio and extras)
Final Verdict Going Places is not an easy watch. It’s a film that forces you to sit with discomfort. But as a snapshot of 1970s French cinema’s wild, transgressive heart—and as an early showcase for Depardieu’s electrifying screen presence—it remains essential, if troubling, viewing. Should you see it? Yes, if you’re prepared to ask hard questions about what cinema chooses to glamorize—and why. The 1974 French film Going Places (originally titled
Have you seen Going Places ? Does it hold up as a subversive classic, or has time revealed its flaws? Share your thoughts below.
It looks like the string you provided — "fylm going places 1974 mtrjm kaml fydyw lfth" — appears to be a keyboard-mash or an encoding error (possibly a mix of English and Arabic transliteration attempts, or a result of a broken character set). However, I recognize the film you likely meant: "Going Places" (1974) — known in French as Les Valseuses , directed by Bertrand Blier. Here’s a properly written article about that film, based on what I believe your intent was.
Going Places (1974): Bertrand Blier's Shocking Road Movie of Sexual Anarchy Few films have divided critics and audiences quite like Bertrand Blier’s Going Places ( Les Valseuses ). Released in 1974, this French road movie follows two rootless, amoral drifters — Jean-Claude (Gérard Depardieu) and Pierrot (Patrick Dewaere) — as they wander the French countryside, stealing cars, seducing (and often assaulting) women, and leaving chaos in their wake. Decades later, it remains a confrontational masterpiece: brutal, hilarious, and deeply unsettling. The Plot: No Direction Home The film has no conventional plot. The two protagonists, small-time crooks with no jobs or ideology, steal a car and embark on a hedonistic rampage. Along the way, they pick up a timid hairdresser named Marie-Ange (Miou-Miou), who willingly joins them after a bizarre sexual initiation. Together, they encounter a gallery of strange characters: a repressed female train passenger, a female prison warden, a lonely teen, and a dying man who asks for one last sexual favor. The title Les Valseuses is French slang for testicles — a clue to the film's raw, masculine, and provocative energy. The Context: 1970s French Counterculture Going Places arrived at a time when French cinema was shaking off the polite conventions of the “Tradition of Quality.” After the sexual revolution of 1968, directors like Blier pushed boundaries further. The film shocked audiences with its frank nudity, casual misogyny, and rejection of bourgeois morality — yet it was also a huge commercial hit in France, launching Depardieu to stardom. Controversy and Legacy Today, the film is impossible to watch without controversy. The protagonists treat women as objects for their pleasure, including a notorious scene involving a rape that is played for dark comedy. Some critics argue Blier exposes male sexual aggression without endorsing it. Others see the film as irredeemably sexist. What saves Going Places from being purely offensive is its strange tenderness and absurdist humor. Miou-Miou’s character, Marie-Ange, finds freedom in her degradation — a problematic concept by modern standards, but one the film explores with weird sincerity. Why Watch It in 2024? If you’re a student of film history, Going Places is essential viewing. It captures a moment when European art cinema was willing to be ugly, messy, and dangerous. Depardieu and Dewaere give raw, charismatic performances. The dialogue, by Blier, is quotable and profane. And the final scene — a shocking act of self-mutilation — is one of cinema’s most unforgettable (and disturbing) endings. Should you watch it? With caution. Going Places is not a feel-good film. It is a provocation — a blistering artifact from an era that believed transgression was liberation. Criterion Channel: Often features the film as part
Title: Going Places ( Les Valseuses ) Director: Bertrand Blier Year: 1974 Starring: Gérard Depardieu, Patrick Dewaere, Miou-Miou Country: France Language: French
The 1974 French film " Going Places " (original title: Les Valseuses ) is a landmark of controversial 1970s cinema. Directed by Bertrand Blier, it serves as a chaotic road movie that launched the career of Gérard Depardieu. Film Overview Original Title: Les Valseuses (meaning "the testicles" in French slang). Cast: Stars Gérard Depardieu, Patrick Dewaere, and Miou-Miou, with appearances by Jeanne Moreau and a young Isabelle Huppert. Genre: A "nihilist farce" that blends black comedy, crime, and drama. Plot: The story follows two aimless, thuggish drifters, Jean-Claude and Pierrot, who travel across France committing petty thefts, carjackings, and sexual assaults as they reject bourgeois morality. Along the way, they are joined by a passive hairdresser, Marie-Ange, who becomes their frequent companion. Critical Themes & Reception