This paper examines the non-semantic, affect-driven string “angelslove ashby winter blu chanelle love free” as a contemporary linguistic artifact. Treating it not as an error or nonsense but as a deliberate or accidental poem, we analyze its sonic texture, associative naming patterns, and the emotional topology it maps. Drawing on theories of post-internet language and lyric fragmentation, the paper argues that such strings function as “affective proper nouns” – units that prioritize resonance over reference.
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