Ravi's immediate anger was practical: who had the right to weave false pasts into other people's minds? Who could justify a fabrication that rippled like an aftershock across lives? But then he thought of the tapes in his lab: a father’s last footage of his son before the war, a woman’s voice speaking a recipe that never would be made again. Memory, he understood, is already a kind of reconstruction; every recall is an edit.
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