The Japanese entertainment industry does not sell perfection; it sells the struggle for perfection.
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This stoicism creates a bubble. While K-Pop (Korea’s rival export) aggressively courted the West with English lyrics and hip-hop beats, J-Pop stayed insular, weird, and untranslatable. For every global smash like Baby Metal (teenage girls playing death metal in tutus), there are a thousand variety show segments about sumo wrestlers trying to peel an apple without using their hands. The country’s most celebrated film director
There is no "high" art or "low" art. The country’s most celebrated film director, Hayao Miyazaki, makes cartoons. The most prestigious literary award often goes to a writer of light novels —paperback pulp meant for teenagers on trains. This flattening of the hierarchy is Japan’s secret weapon. It allows a franchise like Evangelion to be simultaneously a children's toy commercial and a Freudian deconstruction of depression. J-Pop stayed insular
